La Nube achieves his definitive shape in 1993, when Pepe joins the band, bringing in that pop touch, which he used to play in his former group alongside with Silvia: El Regalo de Silvia. However, this break-up allowed them both to perform their punk streak.
This band is just with its 3 demo-tape one of the most promising projects of the Spanish on-live stage, as some specialised radio critics have pointed out and, as their concerts and awards have proved: winners of the 1997 Sonda contest and awarded in the Villa de Bilbao contest.
In 1997 they edited their own CD. "Fritas", which earned praises and got sold quite well in the region. Then, they presented it on live in the most important Spanish cities, showing a striking and full-of-feeling performance.
Their second work, the Mini CD "Pom, Pom, Pom", popped out in November 1998 as the result of a dogged effort of their members. Its edition was limited and turned out to be a rarity that just a bunch of critics and staunch fans can enjoy.
It was at the end of that very same year when La Nube started to give shape to his first LP. After a hard working on songs and arrangements, they started flirting with electronic elements , but keeping their striking energy. In May 1999 Grabaciones en el Mar edited that album with the title "90-60-90": an 11-song time bomb produced by Alan Boguslawsky, Bogusflow member, who contributed to its recording with his experience and clear ideas.
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